Inquiries: PalimpsestJournal@vanderbilt.edu

Palimpsest: A Journal on Women, Gender and the Black International is a peer-reviewed journal that publishes cutting edge interdisciplinary scholarship and creative work by and about women of the African Diaspora and their communities in the Atlantic and Indian Ocean Worlds.  A partnership between Vanderbilt University’s African American and Diaspora Studies Program and the State University of New York (SUNY) Press, the goal of Palimpsest is to engender further explorations of the Black International as a liberation narrative; and Black Internationalism as an insurgent consciousness formed over and against retrogressive practices embodied in slavery, colonialism, imperialism, and globalization, from the early modern period to the present.

Drawing on the traditions of African diasporic studies and feminist/womanist thought, the journal will feature analyses of Black women’s histories, experiences, and cultural productions. More specifically, we solicit work that considers the intersections of race, class, gender, color, and sexuality in the histories, social and political movements, expressive cultures, spiritual formations, and philosophical thoughts of women as well as the ways in which women locate themselves, and have been located, on the map of human geography. Scholars from a broad range of disciplines are encouraged to contribute, and a primary consideration for inclusion will be an essay’s capacity to resonate with and critically engage the interdisciplinary fields of African American and Diaspora studies and women’s and gender studies.

Call for Papers:  In keeping with Palimpsest’s mission, the inaugural issue will focus on the theme: Liberations Across Boundaries. The Board nonetheless encourages submissions that broadly address this theme as well as others that are in line with the journal’s general mission. While submissions for Palimpsest are accepted on a rolling basis, those wishing to contribute to the inaugural volume will need to submit essays by February 2011 for full consideration.

Covering two volumes, with more than 300 photographers featured and 507 pages and 382 compelling images, as well as an introduction by Charlotte Cotton, this is one catalogue you may want to add to your table-top collection.

Five curatorial essays on contemporary photography serves to complete the exhibitions in the volumes, and give voice to the illustrations.

Some of the artists featured are : Nicole Belle, Matthew Brandt, Sheila Pree Bright, Jeff Brouws, Emilio Chapela, Tim Davis, Myra Greene, Leslie Hall, Todd Hido, Peter Holzhauer, Whitney Hubbs, Susanne Jirkuff, Eirik Johnson, Adria Julia, Erika Larson, Jason Lazarus, An-My Lê, Kalup Linzy, Matt Lipps, Craig Mammano, Daniel Joseph Martinez, Joey Lehman Morris, Richard Mosse, Laurel Nakadate, Nic Nicosia, David Oresick, Trevor Paglen, Greta Pratt, Michael Robinson, Victoria Sambunaris, Asha Schechter, Michael Schmelling, Christina Seely, Paul Shambroom, RJ Shaughnessy, Tema Stauffer, Will Steacy, Greg Stimac, Jane Tam, Hank Willis Thomas, Brian Ulrich, Sandra Valenzuela, and Augusta Wood.

http://2010biennial.fotofest.org/biennial-catalogue.aspx