Information & discussion about African diaspora photographers and publishing.

Anne Anlin Cheng. Second Skin: Josephine Baker & the Modern Surface (Oxford University Press, 2011)

Cheng_Baker_2011Second Skin: Josephine Baker & the Modern Surface. Anne Anlin Cheng, Oxford University Press, January 2011, 256 pages, hardcover, ISBN13: 9780195387056, $24.95.

Description
What does a black burlesque star have to do with some of the most enduring and passionate ideas in modern aesthetic theory? The spectacular Josephine Baker emerges in this fascinating untold story as a principal figure in the drama behind the making of Euro-American Modernism. Instead of seeing her nude performances as a Primitivist given, Cheng argues that Baker’s famous skin was central to the debates about and desire for “pure surface” that crystallized at the convergence of modern art, architecture, machinery, and philosophy. Taking the reader across the Atlantic – through real stages and imagined houses; banana plantations and ocean liners; metallic bodies and radiant cities – this study tracks the ardent and protean conversation between the making of a Modernist style and the staging of a new black visuality. In this account, Baker and the Modernists known to have adored and objectified her in fact shared a common dream: the fantasy of remaking and wearing the skin of the other.

Anne Anlin Cheng is a Professor of English and African American Studies at Princeton University. Her fields of study include race studies, aesthetic theory, film, performance and psychoanalytic theories.  She is the author of The Melancholy of Race: Assimilation, Psychoanalysis, and Hidden Grief, and she works with a special focus on Asian American and African American literatures of the twentieth century.

Vincent Alan W. The Bangy Book: New Yorker Street Boys (Verlagsgruppe Vis-a-Vis, 1989)

W_Vincent_Alan_BangyBook_1989The Bangy Book: New Yorker Street Boys. Vincent Alan W., Verlagsgruppe Vis-a-Vis, 1989, 80 pages, ISBN-13: 978-3924040628.

Ernest Cole. The Photographer (Steidl & Partners, 2010)

Cole_Photographer_2010The Photographer. Ernest Cole, Steidl & Partners, October 2010, 272 pages, 120 tritone plates, 27 cm x 29 cm, Hardcover, ISBN: 978-3-86930-137-2

From the publisher:

This book will for the first time enable Ernest Cole to be seen in the perspective of international photography where he surely deserves an honoured place, not simply for his remarkable courage and determination in the face of state oppression but for the perceptiveness of his seeing eye and his ability to put what he saw into photographs of remarkable rigour, subtlety and elegance. These qualities were often subordinated to the need for the strongest possible anti-apartheid statement in his acclaimed book House of Bondage, published in 1967. Many of the photographs have never been published before and others, which were cropped in the book for their maximum political effect, will now be seen un-cropped for the first time. Ernest Cole the Photographer accompanies an exhibition with the same title, produced by the Hasselblad Foundation.

Eric Waters. The Solemn Sounds of Silence: A New Orleans Metaphor (Mason Murer Fine Art, 2010)

Eric Waters, Untitled, 2009

Eric Waters, Untitled, 2009

The Solemn Sounds of Silence: A New Orleans Metaphor. Photographs by Eric Waters. Poetry by Kevin Sipp,  Mason Murer Fine Art, 2010, $40.00.

I couldn’t find any more information about this publication (and that’s not the cover—I can’t find an image of it but that is one of the works from an exhibition of the work). Here’s a description of the exhibition at Mason Murer in 2010:

“The Solemn Sounds of Silence: A New Orleans Metaphor, ” showing at Mason Murer Fine Art, is built around Eric Waters’ photographs of the vintage clarinet collection of jazz historian Michael White that was ruined during Katrina. Waters’ photos are enhanced by music from jazz clarinetist White and poetry by Kevin Sipp.

For more information contact the gallery directly. You can also go to http://www.ericwatersphotography.com/ but there isn’t any information on the site about this project.

Charmaine Nelson, Ebony Roots, Northern Soil: Perspectives on Blackness in Canada (Cambridge & Scholars, 2010)

Nelson_EbonyRoots_2010 Ebony Roots, Northern Soil: Perspectives on Blackness in Canada. Charmaine Nelson, Cambridge & Scholars, December 2010, isbn13: 978-1-4438-2564-1.

From the publisher:

Ebony Roots, Northern Soil is a powerful and timely collection of critical essays exploring the experiences, histories and cultural engagements of black Canadians. Drawing from postcolonial, critical race and black feminist theory, this innovative anthology brings together an extraordinary set of well-recognized and new scholars engaging in the critical debates about the cultural politics of identity and issues of cultural access, representation, production and reception. Emerging from a national conference in 2005, the book records, critiques and yet transcends this groundbreaking event. Drawn from a range of disciplines including Art History, Communication Studies, Cultural Studies, Education, English, History and Sociology, the chapters examine black contributions to and participation within the realms of popular music, television and film, the art world, museums, academia and social activism. In the process, the burning issues of access to cultural capital, the practice of multiculturalism, definitions of black Canadianness and the state of Black Canadian Studies are dissected. Attentive to issues of sexuality and gender as well as race, the book also explores and challenges the dominance of black Americanness in Canada, especially in its incarnation as hip hop. Acknowledging a differently constituted and heterogeneous black Canadianness, it contemplates the possibility of an identity in dialogue with, and yet distinct from, dominant ideals of African-Americanness.

Ebony Roots also explores the deficit in Black Canadian Studies across the nation’s universities, drawing a line between the neglect of black Canadian populations, histories and experiences in general and the resulting lack of an academic disciplinary infrastructure. Poignant blends of the personal and the political, the chapters are both scholarly in their critical insights and rigour and daring in their honesty. Ebony Roots defiantly foregrounds the often-disavowed issues of institutional racism against blacks in Canadian academia, education and cultural institutions as well as the injurious effects of everyday racism. In so doing, the book challenges the myth of Canada as a racially benevolent and tolerant state, the ‘great white north’ free from racism and the legacy of colonialism. Instead the very definitions of Canada and black Canadianness are unpacked and explored. Ebony Roots is a necessary history lesson, a contemporary cultural debate and a call to action. It is a momentous and overdue contribution to Black Canadian Studies and a must read for academics, students and the general public alike. Read more »

Subscribe to our feed

Black Photographers Book Reviews preserves and promotes the history of African diaspora photographers and subjects in publishing through an online library, blog and book reviews.

Archives

RSS carlagirl photo

  • Taking a Break February 6, 2012
    Site visitors will probably notice that I haven’t updated here frequently. I am taking a break from my site(s) for at least the summer. I’ve been working in this field for 25 years and I’m burned out on photography and art, the site(s) are in need of major updates/ revamping/ retooling, social media is exhausting, [...] […]
  • What if there were no more art galleries? February 6, 2012
    6×6 – An Art Version of a Music Festival ABOUT THIS PROJECT What is 6×6? Beginning on September 8, 2011, our roaming gallery Baang and Burne Contemporary will present 6×6, (six by six) a series of six, back to back, one week only art exhibitions in New York City. 6×6 was created by artists, for artists. Essentially 6×6, is [.. […]
  • The Stoop Gallery Call for Submissions February 6, 2012
    The Stoop Gallery is currently accepting submissions for the upcoming show date and theme: Art. Science. Body: How art and science merge to create identity narratives. July 30, 2011 This week, Psychology Today published an article focusing on why African American women are less physically attractive than other women. The methodology of the research was not m […]