Information & discussion about African diaspora photographers and publishing.

Cherise Smith. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith (Duke, 2011)

Smith_EnactingOthers_2011 Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith. Cherise Smith, Duke University Press, 2011, 336 pages, 58 illus., including 18 color plates, paperback, ISBN 978-0-8223-4799-6, $24.95.

From the publisher:

Description

The artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee have all crossed racial, ethnic, gender, and class boundaries in works that they have conceived and performed. Cherise Smith analyzes their complex engagements with issues of identity through close readings of a significant performance, or series of performances, by each artist. She examines Piper’s public embodiment of the Mythic Being, a working-class black man, during the early 1970s; Antin’s full-time existence as the fictitious black ballerina Eleanora Antinova for several weeks in 1981; and Smith’s shifting among more than twenty characters of different ages and racial, ethnic, gender, and class backgrounds inTwilight: Los Angeles. She also considers Lee’s performances of membership in cultural groups—including swing dancers, hip-hop devotees, skateboarders, drag queens, and yuppies—in her Projects series (1997–2001). The author historicizes the politics of identity by exploring each performance in relation to the discourses prevalent in the United States at the time of its development. She is attentive to how the artists manipulated clothing, mannerisms, voice, and other signs to negotiate their assumed identities. Cherise Smith argues that by drawing on conventions such as passing, blackface, minstrelsy, cross-dressing, and drag, they highlighted the constructedness and fluidity of identity and identifications. Enacting Others provides a provocative account of how race informs contemporary art and feminist performance practices.

About The Author
Cherise Smith is Assistant Professor of Art History at the University of Texas, Austin.

Glenn Jordan. Somali Elders: Portraits from Wales / Odeyada Soomaalida: Muuqaalo Ka Yimid Welishka (Butetown History & Arts Centre, 2004)

Jordan_SomaliElders_2004Somali Elders: Portraits from Wales  / Odeyada Soomaalida: Muuqaalo Ka Yimid Welishka. Glenn Jordan, 2004, Butetown History & Arts Centre, 202 pages, 65 full colour plates. Bi-lingual production in English and Somali W240 x H300mm, paperback, ISBN 1-898317-13-5, £24.95.

From the publisher:

Somali Elders: Portraits from Wales is a book of powerful colour portraits and text, which brings us face-to-face with a largely unseen history and presence. It is an important cultural-political intervention. Large-size and beautifully produced, it is the first book of its kind.

We live in a socially and culturally diverse society, in an increasingly polarised world. Somalis have been in the U.K. for more than 100 years—since shortly after the opening of the Suez Canal in 1869. There have been people of Somali descent in Wales for four or more generations. Many of the 47 men pictured here worked for decades as seamen or in heavy industry. Yet, they are virtually invisible in mainstream history, art and culture. Somali Elders: Portraits from Wales seeks to reverse this trend.

Photography often shows us things—people, places, faces, everyday life—we had failed to notice before. It has the ability to help us see what our unseeing eyes have missed. Through humanist, empathetic portraits of older Somali men, this book seeks to open eyes—to confront stereotypes and misrepresentations.
Somali Elders is intended for a wide and varied readership—including people interested in cultural diversity, photography, local history, racism and the African diaspora. It is hoped that the faces and experiences featured in the book will be a source of education, inspiration and pride.

Printed Matter Seeks an Executive Director

Job title: Executive Director, Printed Matter, Inc.
Permanent full time position, beginning July 1, 2011, or no later than September 15, 2011
Salary: To be determined, based on current role and prior experience

Printed Matter is seeking an ambitious, visionary Executive Director who is eager to build on Printed Matter’s history and achievements. The successful candidate will have excellent leadership and interpersonal skills and an ability to work collaboratively with colleagues and artists; an international perspective and network; a solid focus on contemporary artists and publishing; the ability and the aspiration and courage to discourse with all stakeholders in the art world. This position is also the leading spokesperson for the organization and, therefore, a candidate must be able to articulate effectively the goals and vision of the organization to a wide range of constituencies, including current and potential funders. Fundraising skills and experience are critical. In addition, the individual will have excellent judgment and significant management experience, including familiarity with basic financial management programs. The Executive Director reports to the Board of Directors.

The Executive Director will be expected to:
- in conjunction with the Board, set the strategic vision for the organization.
- implement Printed Matter’s core mission, manage the organization, and oversee all aspects of day-to-day operations.
- promote Printed Matter’s mission and objectives, and articulate its philosophy, vision, and strategy for implementing that mission.
- in conjunction with the Board, identify and cultivate prospective new Board members and donors.
- set and achieve fundraising goals and initiatives, through benefits, fundraising editions, and the solicitation of individual contributions.
- establish and maintain relationships with foundation and government donors.
- supervise and support a team of full and part-time staff members, many of them artists, and foster a dynamic, friendly, and supportive work environment that promotes learning, loyalty, and superlative service.
- in conjunction with the staff and Board, develop the annual operating budget, currently over $1 million, and make financial decisions consistent with the budget, as approved by the Board.
- in conjunction with the staff, create and oversee distribution and programming budgets.
- in conjunction with the staff, oversee international wholesale and retail distribution of artists’ publications, including in the Printed Matter store, by mail order, on the internet, and at art and book fairs.
- oversee and implement programming, including the exhibitions, publishing, awards program, book launches and other events, that together support and extend Printed Matter’s distribution of artists’ books as well as fulfill the organization’s mission to educate the public.
- oversee and implement the annual NY Art Book Fair, and the various spinoff projects that it entails (such as the annual Contemporary Artists Books Conference, organized together with a team of volunteer librarians).
- oversee and implement the redesign of Printed Matter’s web site and database to provide an interactive, fully integrated system that can be used by various populations in unique ways, including the public, academics, librarians, collectors, and the artists we represent.
- oversee payments to artists and seek ways to maximize the funds we generate for artists.
- advocate for artists and art workers.

Printed Matter, Inc.: Founded in 1976 by a collective of artists and art workers, Printed Matter is a 501(c) (3) not for profit organization dedicated to the promotion and dissemination of artist publications. Printed Matter proposes an art conceived along democratic ideals, a low-cost art that travels into the world through the distribution systems typical of books and periodicals, or popular music. Representing some 15,000 works by more than 5,000 artists, a bookstore/exhibition space has always been a core function of the organization with its latest incarnation at 195 Tenth Avenue in the Chelsea district of New York. Printed Matter provides international promotion and distribution, supported by innovative publishing, exhibitions, and events, as well as the annual Awards for Artists, and organizes and sponsors the fabled NY Art Book Fair. Printed Matter’s web site atwww.printedmatter.org includes the most complete database on artists’ publications available worldwide, together with a comprehensive e-commerce online shop. Printed Matter is proud of its role as an advocate of artists’ rights, and of its ability to put money in artists’ pockets. Above all it considers itself an artist-centered organization.

To apply, send your CV with a covering letter to MGinsberg@MillenniumPtrs.com, putting ‘PM Director’ in the subject field. Only those being considered for interviews will be contacted. Deadline: April 30, 2011

Interviews will be held in New York City.

Sparkbook Pride by Pogus Caesar (Punch and OOM Gallery Archive, 2011)

Sparkbrook Pride- Front cover 2010 Sparkbook Pride. Pogus Caesar, Punch and OOM Gallery Archive, Spring 2011, paperback, perfect bound, 160 pages, 70 black and white photographs, 11.6 x 8.2 x 0.8 inches. ISBN: 978-0-9566741-1-1

Birmingham-based photographer Pogus Caesar has a new book coming out, specially commissioned by Be Birmingham and published by Punch and OOM Gallery Archive.

‘Sparkbrook Pride’ consists of 70 black-and-white photos of residents of Sparkbrook, Birmingham – where Pogus grew up – all taken with his trademark Canon Sureshot camera.

The book also has a foreword written by Benjamin Zephaniah and an introduction by Paris-based photographer Nigel Dickinson. In the foreword Zephaniah says “I love the ‘rawness’ of these photos, they have a sense of place, yet nothing is staged, and the only information Pogus gives us about those featured is how they define themselves, nothing more. We need no more. So people – it is down to us to piece together the rest of this multicultural puzzle”.

Last Autumn Pogus visited Sparkbrook several times, and the striking images in ‘Sparkbrook Pride’ are the result. Documenting the diverse individuals who live and work in the area, the book features both the long-standing residents from the West Indies, Ireland, India and Pakistan and the more recent additions to the community from Somalia, Sudan, Malawi and Afghanistan, celebrating the rich cultural mix that defines the area.

Be Birmingham, in association with Punch and OOM Gallery Archive, will launch Sparkbrook Pride in Spring 2011.

Lyle Ashton Harris and Chuck Close in Conversation

lah_ccThe New York Public Library

Gregory R. Miller & Co. and D.A.P.

present

LYLE ASHTON HARRIS

in conversation with

CHUCK CLOSE

celebrating the publication of

Lyle Ashton Harris’ new book

EXCESSIVE EXPOSURE

published by Gregory R. Miller & Co.

WEDNESDAY, MARCH 23, 6PM

THE NEW YORK PUBLIC LIBRARY

Margaret Liebman Forum, 2nd Floor

Stephen A. Schwarzman Building

Fifth Avenue at 42nd Street

www.nypl.orgwww.grmandco.comwww.artbook.com

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Black Photographers Book Reviews preserves and promotes the history of African diaspora photographers and subjects in publishing through an online library, blog and book reviews.

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